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Here is a territory band from Dayton, Ohio which is magnetized by the moment in the late 1920's and early 1930's when classic jazz evolved into small band swing. The fluidity and polyphony of the front line remained intact, while the driving rhythm of the banjo and tuba was lightened by the substitution of guitar and string bass. Unhampered by the horn sections and written arrangements of the big band jazz that captured the years from the dawn of the depression through the denouement of World War II, the music left lead players free to explore their individual creativity with the support of a "modern" rhythm section. It looked backward with an affectionate smile, and forward with an appreciative glance. After amassing and absorbing the wonderful music of the giants of jazz and the schools and styles of New Orleans, Chicago, New York, Kansas City and San Francisco, the aficionados who used to be affectionately termed "mouldie fygges" would scour the second hand stores for recordings from the "territories" -- those areas of lighter population density where under-recorded and under-appreciated bands often established their own sound and local traditions. Dayton, the home of the Wright Brothers and Dunbar, has been as fertile and inventive in music as it has been in technology and poetry. As inheritors of its territorial approach to traditional jazz, the Classic Jazz Stompers have enjoyed almost two decades of pleasurably fanning the flames of that tradition. |
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